For example, it was great for quickly auditioning keys or grabbing spur-of-the moment scratch vocals, all without compromise. These per-channel add-ons make the 1073 DPX an excellent choice for fast-paced writing and production sessions where speed and efficiency are as important as sound quality - and this box delivered on all counts. In addition, a hi-Z DI jack on the front panel automatically takes over as the input source when you plug in a 1/4’’ instrument cable, and the DI has switches for ground lift and −20 dB pad. In the rear are separate XLR jacks for mic input, line input, and line output, as well as send and return 1/4’’ TRS jacks for a balanced insert loop, switchable pre or post–EQ from the front panel. Each channel of the 1073 DPX sports a Neutrik Combo jack on the front panel, for quickly plugging in an XLR mic or TRS line–level source, with a nearby switch to choose between front or rear jacks. The real selling points of this box are all of its added features. It’s safe to assume that all of these design choices contribute to cost-effectiveness and overall reliability, and I discovered only negligible sonic repercussions - more on that in a second. An external line- lump PSU also seems a little bit curious at this price point. Additionally, mic-gain switching relies on a relay system instead of the original dual-zone gain switch. The latter is what you’ll find in original Neves as well as in some boutique clones. Like a lot of AMS Neve’s current products, the 1073 DPX uses surface-mount technology instead of point-to-point construction. There are some differences on the inside. Opening up the unit, you’ll find custom Neve Marinair transformers manufactured to the original specification, at both the input and the output stages - very cool! The control legends are identical but are rotated 90° to match the 1073 DPX’s horizontal, standard rackmount orientation. Plenty has been written about the legendary 1073 and its many clones - here on the pages of Tape Op, as well as in other publications and websites - so for this review, I’ll concentrate on the 1073 DPX’s many unique features.Īt a glance, the 1073 DPX sports all the same mic preamp gain and EQ frequency/gain settings you’d expect on a 1073, using Grayhill dual-concentric controls and pushbutton switches. With vintage Neve 1073 strips fetching more and more coin, and dependable techs becoming harder to find, I was curious to see how a modern (and presumably more reliable) alternative would hold up to the original. The AMS Neve 1073 DPX is a dual-channel preamp/equalizer in a 2RU-height rackmount chassis.
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